°®Âþµº students secure success in top television awards
°®Âþµº students are celebrating after being recognised at a leading UK television awards ceremony.
°®Âþµº students are celebrating after being recognised at a leading UK television awards ceremony.
Maria Craig, Josefin Dahlin, Hannah McKelvie and Joel Rock won in the ¡®undergraduate factual¡¯ category of the .
Dario Sinforiani, Head of Production Teaching in °®Âþµº¡¯s Faculty of Arts and Humanities, welcomed the result, which was announced at the BFI Southbank in London.
He said: ¡°°®Âþµº has a strong track record in production, having picked up 10 Scottish national awards for factual work in the past five years.
¡°Importantly, this prize means that the production team of Maria, Josefin, Hannah and Joel made the best undergraduate documentary in the UK last year ¨C a fantastic achievement and beating off competition from a host of prestigious institutions.¡±
The students were recognised for their piece, , which judges described as ¡°featuring fantastic insight into a very sensitive and moving story¡±. They added: ¡°The jury didn¡¯t know about the world that this film beautifully told.¡±
The students describe their item as follows: ¡°Set in idyllic rural Wales, the gothic Craig-Y-Nos Castle is a building with a dark secret past.
¡°From the 1920s until the late 1950s, Craig-Y-Nos was a sanatorium for Welsh children suffering from tuberculosis. Many of these children spent years in the castle, separated from family and friends, and subjected to regimes that seem barbaric today.
¡°In this powerful and moving documentary, some of the TB patients return to Craig-Y-Nos and relive the memories of their childhood.¡±
The RTS say the awards ¨C which are chaired by Director of Sky Arts, Philip Edgar-Jones ¨C ¡°recognise student television work, produced during the 2016/2017 academic year, that shows outstanding visual and aural creativity, a mastery of craft skills, innovation, initiative and story-telling¡±. They add: ¡°Judges will look in particular for freshness, originality and audience appeal within the constraints of the law and broadcasting practice.¡±